Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy of Adirondack Editing

THAT’s the Problem in Revising

“What’s the problem?”

“That’s the problem.”

“What?”

“That.”

“I don’t get it.”

“That’s the problem.”

Sound like the old “Who’s on first” routine? Extraneous words that make a writer’s work bulky need to be eliminated. But how can you eliminate words that you don’t even see? That’s the problem, and that is one of those words that can usually be cut. Dialogue that is casual regularly contains many incidences of that word, but when it comes to writing, that can usually be deleted.

Are you still confused? If a sentence is understandable without “that” in it, take it out.

Example: “She told him that she was leaving” reads just fine…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy of Adirondack Editing

 Do You Have Description Depression?

Are you a writer who uses rich, lush descriptions for their settings and characters? Or one who just wants “the facts, Ma’am, just the facts”? Is it an effort to decide how much description to use, where, and exactly what?

If you struggle with Description Depression in your writing, you’re not alone. There isn’t a “correct” way to use description in fiction, although, in my humble opinion, you’re better off using too little than too much.

In over describing, a writer runs the risk of annoying their readers. Many readers admit to skipping over large amounts of description. It didn’t used to be that way. Before the age of movies, television, the Internet, and smartphones…